How faithful are the scripts of Point Blank and Payback to the book, The Hunter?

How faithful are the scripts of Point Blank and Payback to the book, The Hunter? - Side view closeup of opened ring bound notebook with blank pages near silver ball point pen placed on wooden table

Both the 1967 Lee Marvin flick, Point Blank, and Mel Gibson's Payback (1999) are based on the novel, The Hunter, by Richard Stark (Donald E. Westlake). Although the underlying premise is similar, the two movie adaptations are significantly dissimilar to each other.

I'd like to know which of the two scripts is, if at all, more faithful to the novel. Please also consider Helgeland's 2006 director's cut of Payback (titled Payback: Straight Up) which is quite different from the original.



Best Answer

Having seen both films and read the Westlake novel (actually four of them) the statement can be made that the films only peripherally resemble the character of Parker. The 1967 Boorman film gets most of the story elements correct and the 1999 film is somewhat faithful to Parker's level of obsession.

However, Parker as written by Westlake was a taciturn and difficult to like character who wouldn't have even made a decent anti-hero protagonist much less a "good guy." Neither film captures this, although Lee Marvin seems closer to Westlake's imagining of the character than Mel Gibson.

Of the two films, Point Blank (1967) is closer to the novel although it does contain "supernatural elements" that aren't there in the original text. Payback (1999) is actually less faithful to the novel, but more true to the viciousness of the criminals who Parker faces during his quest.

(Reference: newimprovedgorman)




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Was payback a remake of Point Blank?

It is based on the novel The Hunter by Donald E. Westlake using the pseudonym Richard Stark, which had earlier been adapted into the 1967 film noir classic Point Blank, directed by John Boorman and starring Lee Marvin.

What book is Point Blank based on?

Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O'Connor, and adapted from the 1963 crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark.



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