Is the change in camera handling, related to the characters state of mind?

Is the change in camera handling, related to the characters state of mind? - Person Holding Iphone

In the movie Carnage 2011 by Roman Polanski, we see a gradual change in the camera handling style. When the film starts almost all the scenes are shot with fixed point camera view. But as gradually Penelope, Nancy, Alan and Michael start getting drunk (They had scotch neat) the shots gradually change to hand held camera views. My question being :

  1. Is this camera view related to the fact that the characters were starting to get drunk and losing their balance?
  2. Is this typical of Roman Polanksi's style of taking shots? Because in other films like The Pianist or The Ghostwriter, I haven't noticed such a thing.

Please find these scenes on and after 1:03:36 here.

As screen shots wouldn't be much of a help I refrained from adding them here.






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What is it called when camera switches between character and character?

An over the shoulder shot, often referred to as a third-person shot or an OTS, is a shot where the camera is facing one character from a position that is just behind another character. In other words, an off-screen actor's shoulder is in the foreground while there is complete coverage of the on-screen actor.

How does camera movements impact the telling of the story?

By adding camera movement to a scene, you can greatly enhance the motion of the characters\u2014thus, adding kinetic energy. This simple act can draw your audience deeper into the narrative and improve the effectiveness of your story.

How does the camera angle affect the audience perception of a character?

High and Low angles The effect of shooting at a higher or lower angle is to force the viewer to literally look up at the dominant character and look down at the inferior character. Shooting up at a character makes them appear bigger, taller, and stronger, which psychologically makes them feel more dominant.

How do camera movements create emotions?

Camera movement can add or detract from the emotion the director wants to communicate. Camera movement should emphasize the emotion we want to see in the scene. When the camera moves it should move in relationship to someone or something and create an emotion that supports the story.



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