Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City?

Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City? - Purple and Blue Love Print

In the 1987 film The Last Emperor, Pu Yi is removed from power and taken away from the Forbidden City. As a child, he had a pet cricket that he kept in a tiny cage in a secret compartment in his throne. Pu Yi returns as an adult and finds the (60 year old!) cricket alive and well in the secret compartment in the old throne. How did that work? Did he imagine the cricket to be alive, or was there somebody behind the scenes that maintained the old throne and its tiny resident(s) so that there was always a live cricket in the cage inside the throne? Or is there another explanation?



Best Answer

Crickets are not long-lived, with a lifespan of only around three months. The use of the insect is symbolic. The cricket was kept as a pet in a cage, a situation not unlike Pu Yi's, as he was caged within the Forbidden City. The symbolism of the cricket in the final scenes could be interpreted in a multitude of ways:

  1. The release of the cricket is a metaphor for the freedom that Pu Yi enjoyed as a simple gardener unfettered by the weighty duties of Empire. It provided him with some closure.
  2. The fact that he proved to the boy that he was indeed the Son of Heaven by showing him the secret compartment, indicates a vain yearning for days of glory and power. The presence of this flicker of nostalgic yearning is confirmed by the fact that the cricket is still alive.
  3. The release of the cricket could also symbolise the release provided by death, accentuated by the sudden disappearance of Pu Yi from the room. The visit as a tourist was something of a final goodbye.
  4. By handing over the cricket to the young communist guard, the Last Emperor is handing the baton of power (and all that comes with it) to the next generation.

It's up to the audience to decide which interpretation is the best fit. But what is certain is that the scene is symbolic.




Pictures about "Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City?"

Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City? - Life Balance Quote on Wooden Scrabble Tiles
Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City? - Dog on a Stroller at a Protest
Did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City? - White Short Coated Dog Lying on Floor



What happened to Puyi after ww2?

With the fall of Japan (and thus Manchukuo) in 1945, Puyi fled the capital and was eventually captured by the Soviets; he was extradited to the People's Republic of China after it was established in 1949. After his capture, he never saw his first wife again; she died of starvation in a Chinese prison in 1946.

When was Puyi removed from the Forbidden City?

In 1924, Puyi was expelled from the Forbidden City and fled to Tianjin where he faced financial problems.

Are there descendants of the last emperor of China?

YuyanHengzhen



China's First Emperor - Qin Shi Huang The Dragon Emperor




More answers regarding did the "Last Emperor" really find a live pet cricket when he returned to his throne in the Forbidden City?

Answer 2

This is only a guess, but I think the cricket (kept in a box by Henry Pu Yi) was a metaphor for China. Even though Henry Pu Yi's life was transformed by the end of the monarchy in China...and China was transformed...my interpretation of the cricket scenes at the beginning and the end of the movie is that the cricket represents China...specifically China's transformation into Red China. Even though China went through political upheavals, a devastating civil war, World War II's carnage, China survived. The cricket is China itself.

Sources: Stack Exchange - This article follows the attribution requirements of Stack Exchange and is licensed under CC BY-SA 3.0.

Images: Magda Ehlers, Brett Jordan, Life Matters, Helena Jankovičová Kováčová