How could Eisenheim achieve those reflections on the scene in that era?

How could Eisenheim achieve those reflections on the scene in that era? - Green Pine Trees Near Body of Water

In The Illusionist (2006), how could Eisenheim achieve those reflections (visions) on the scene? Even in one of the scenes, there was a (ghost) boy walking through the audience. Given that the film takes place in early 1900s, were that kind of illusions possible in that era?

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Best Answer

It's suggested in the movie itself that these illusions are possible. A couple of performers (perhaps) demonstrate to the inspector how it could be done using what would be called Smoke and Mirrors (S&M) today. It can be surmised that Eisenheim perfected the technique and used it for his illusion.




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How did Eisenheim do the Ghost Trick?

A fantascope was used to illuminate a real person off stage. The image was reflected off of a mirror or glassplate, creating a ghosted image. The lanterns that Eisenheim tells his assistants to leave behind when they are packing up the workshop bear a strong resemblance to fantascopes.

How did the illusionist end?

He concludes that Sophie and Eisenheim staged her death so that she could be free of Leopold, with her ghostly apparitions being nothing more than phantasmagoria. Uhl laughs delightedly at the brilliance of their plan.

Was Eisenheim a real person?

Eisenheim was born Eduard Abramowitz in Bratislava in 1859 or 1960. He came from a Jewish family and his father was a respected cabinet-maker. He was the eldest of 4 children and developed skills in cabinet-making early on in life, but did not begin his magic career until he was around 28 years old.



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Answer 2

Magical performances comprising of spirits being summoned on stage where pretty common even in the 19th century. The effect was achieved indeed with the use of smoke and mirror. However, a typical tool in usage was the Fantascope aka Magic Lantern. This apparatus is also seen in the movie but can be easily overlooked as normal lanterns.

I found this interesting piece of trivia on IMDB:

The method for creating the ghosts as shown to inspector Uhl involved the projection of a pre-recorded image into a hazy background. Since the ghosts Eisenheim conjured could speak to and interact with the audience, he most likely used a different method popular among magicians at that time. A fantascope was used to illuminate a real person off stage. The image was reflected off of a mirror or glassplate, creating a ghosted image. The lanterns that Eisenheim tells his assistants to leave behind when they are packing up the workshop bear a strong resemblance to fantascopes.

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